Daily Attendance Numbers at the Portland Maine Museum of Art?

In summer 2020, the PMA reaffirmed its commitment to multifariousness, equity, accessibility, and inclusion past approving a new Strategic Plan.

Art for All and Sustainability is our central mission.

Mission
Art for All. The Portland Museum of Art seeks to create an inclusive space that champions open expression and makes art accessible to all.

Vision
To be a central gathering place where a strong artistic vision and the collection drive chat, creativity, cultural vitality, and economical touch on.

Values

COURAGE

We believe in assuming choices, leading with humility and integrity.

EQUITY

Nosotros value all identities and seek to sympathise and eliminate disparities and barriers.

SERVICE

We embrace our responsibility to be in service to others and responsive to the changing needs of our community and the world.

SUSTAINABILITY

We prioritize thoughtful stewardship of the world'due south resources in all we practice.

TRUST

We believe in existence agile listeners and transparent partners, striving every mean solar day to earn the trust of our communities, audiences, and employees.

Goals

ARTISTIC VISION

Cultivate curiosity and wonder through an artistic program that honors excellence, ideas, innovation, Maine'southward rich artistic legacy, and the relationship between the local and global.

CAMPUS UNIFICATION

Reimagine the campus every bit an architecturally innovative gathering place for fine art, conversation, creativity, environmental responsibility, historic preservation, and partnerships.

Feel

Augment and deepen connections with audiences through experiential and immersive opportunities, community partnerships, and expanded outreach.

PEOPLE

Empower staff, board and volunteers through a culture that reflects inclusion, flexibility, and shared responsibility.

Civilization OF PHILANTHROPY

Inspire gratitude and generosity past living our values and delivering on mission and vision.

 The Offset 100

Looking back through more than 135 years of museum history, it'south articulate that the PMA's impact is greatest when we open doors for audience appointment and place opportunities to grow our collection and campus.

"Sometimes a small button will give motility to a big torso."

- Margaret Jane Mussey Sweat

Although the museum was founded in 1882, the story of our downtown campus actually begins with the legacy of our first benefactor, Margaret Jane Mussey Sweat. In 1908, Sweat bequeathed the McLellan House and necessary funds to build the L. D. 1000. Sweat Memorial Galleries in memory of her late married man. Margaret Jane Mussey Sweat's belief in the museum would set the precedent for future generations of philanthropy and provide the visionary foundation of what the Portland Museum of Art could be.

McLellan House Facts & Figures

A federal-fashion three-story mansion, completed in 1801 for Major Hugh McLellan, at a cost of $20,000

Designed by John Kimball, Sr.

Ancestral to the Portland Society of Fine art in 1908

50. D. Grand. Sweat Memorial Galleries Facts & Figures

Opened 1911

Beaux-arts style, designed by John Calvin Stevens

 The Mod Era

1976 - 2006

Charles Shipman Payson's souvenir of 17 artworks past Winslow Homer served equally a goad for the museum'due south expansion, the addition of significant long-term loans, and a new mod era of touch on and support.

In the 65 years between 1911 & 1976, the size and scope of the PMA'southward exhibitions expanded markedly, and the limitations of the museum's exhibition space, storage, and administrative support became apparent.

In 1976, Maine native Charles Shipman Payson promised the museum his drove of paintings by Winslow Homer. Additionally and most critically, Payson identified the museum'southward concrete limitations and generously gave toward the construction of a new building to be designed by Henry Nichols Cobb of I. Chiliad. Pei & Partners. The PMA broke ground on the Charles Shipman Payson Edifice in 1981, and within two years facility was opened to the public.

Charles Shipman Payson Building Facts & Figures

Opened 1983

Designed by Henry Nichols Cobb of Pei Cobb Freed & Partners.

62,790 square feet, with 20,000 square feet of exhibition space.

The Collection Grows
1979 - 1996

In direct response to the Payson gift, the 1979 gift of the Hamilton Easter Field Art Foundation Drove added more than fifty paintings, sculptures, and works on paper by American modernists to the PMA drove. In 1991, the Joan Whitney Payson Collection of twenty impressionist and post-impressionist works of art was given to the museum on permanent loan. And in 1996, Elizabeth B. Noyce bequeathed 66 works of American art, which remains the near all-encompassing and various gift of American art e'er presented to the museum.

McLellan House Restoration
2002

For more than 20 years, offset with the construction of the Charles Shipman Payson Building in 1981 and into the new century, the McLellan House remained closed.

After a successful capital letter entrada, the PMA meticulously renovated the property, restoring it to its original condition and reopening information technology to the public in 2002.

 The Tipping Point

2006 - 2016

Homer Studio Heralds A New Arroyo

Just 4 years after completing the restoration of the McLellan House, the PMA looked to expand its campus beyond Congress Square and downtown Portland for the outset time, and purchased Winslow Homer's Studio on Prouts Cervix, Maine. This acquisition would serve every bit the impetus for a transformative new decade for the museum, with increased back up, audition engagement, recognition of the PMA brand, and bear on of the museum in the 21st century.

Over the class of a 6-year renovation project, the PMA restored the building to how it appeared during Homer'south lifetime and, in 2012, opened its doors to the public for the showtime time.

In conjunction with the studio's countdown season, the museum refreshed its identity with a new logo, updated design, and PMA brand, bringing it all together with ane of its most successful exhibitions ever, Weatherbeaten: Winslow Homer and Maine. The exhibition broke attendance records and set up a new precedent to what the museum could do in the years to come up.

Winslow Homer Studio
Facts & Figures

2006, The PMA purchases the Winslow Homer Studio and begins restoration project

2012, Opens to the public

2014, Museum purchases the state surrounding the studio to be preserved in perpetuity

1,350 foursquare anxiety

Cementing arts & culture as the cornerstone of downtown Portland.

2006 marked the beginning of a pivotal decade in Portland, as foundations laid at the turn of the century began to show results. New restaurants and breweries began popping up, venues such as SPACE Gallery were thriving and stalwarts such equally the State Theatre were being revitalized, and the city was being seen anew as a national destination.

As this cultural renaissance took hold, the PMA board moved to secure the museum'south future options and flexibility in a changing city, through the purchase of two strategic backdrop adjacent to the PMA'south campus: 87 Spring Street and the Charles Quincy Clapp House.

87 Bound Street
Facts & Figures

38,158 square feet

Charles Quincy Clapp House

Facts & Figures

Congenital in 1832 & purchased in 2007

2,080 square feet

One of Maine'southward important early examples of high style Greek Revival architecture.

Acquired by the Portland Club of Art in 1914, with ownership transferring in 1982 to Maine College of Art when the Portland Club of Art separated into the PMA and MECA.

 The Art For All Generation

2016 - present

Your Museum Reimagined Pushes PMA Forrad

Lights Across Congress, the PMA'south g reopening celebration, attracted more than 5,000 visitors on a 12 caste night in Feb.

On the heels of Weatherbeaten and the restoration of Winslow Homer Studio, the PMA launched into an ambitious project that would redefine the museum's standing in the city of Portland, Maine's economic development, and the national arts scene. Turning its attention back to Congress Square and its downtown Portland campus, the museum looked to focus its efforts around the collection. A four year, cross-departmental accessibility initiative, Your Museum, Reimagined, began in which PMA staff reinstalled the collection, digitized the collection, improved concrete accessibility, and created more than means to remove fiscal means as a barrier to the museum. In essence, as Director Marking Bessire often said, "the PMA built a building without a building."

At A Glance

NEW SPACES

Peggy Fifty. Osher Art Written report and Collection Committee Conference Room

Konkel Family Welcome Center

The Workshop

Updated Security Hub

NEW EXPERIENCES

Launch of the collection online, with 20% increment in time spent on portlandmuseum.org

First always PMA drove catalogue

New in-gallery experiences, tours, and wayfinding

Reinstallation of the collection, with 30% more work on view

We're committed to be an open, accessible, inclusive, and welcoming museum for all. We call it Art for All.

Since the successful reopening in February 2017, and with a renewed focus on audition engagement and accessibility, the PMA has aimed to build on the new moving ridge of energy and support at the museum. We have worked tirelessly to exist be a brave infinite that champions freedom of expression. This has meant dedicating ourselves to presenting exhibitions and hosting programs that reflect the museum's diverse communities and audiences, and to create experiences with art that strengthen bonds and bring u.s. together.

David E. Shaw Family Sculpture Park

In June 2017, opened to the public for the first time in near 35 years.

More than ten,750 people have visited the PMA for complimentary through the park.

The David East. Shaw Family Sculpture Park hosts special events, alive music, family activities, and more every yr from May through October.

Recent additions past Isamu Noguchi, Jonathan Borofsky, John Bisbee, and William Zorach take joined works past Anthony Caro and Celeste Roberge.

The Susie Konkel Laissez passer

In March 2018, through the generosity of Susie Konkel, the PMA introduced complimentary admission to everyone ages 21 and nether.

Since launching, ane,135 immature adults, teenagers, and kids have become members of the PMA.

vii% more people per month have been able to access the museum with free admission as a direct outcome of the Susie Konkel Laissez passer.

New Voices To The Collection

The breadth of the museum'due south collection has grown dramatically since 2014, with additions by artists including Tim Rollins & K.O.Southward., Jeffrey Gibson, Kara Walker, Daniel Minter, Theresa Secord, and Clifford Ross.

Community Backed Programs

We've been working with individuals, institutions, and organizations from across Maine'due south communities to present programs that resonate with people from all walks of life.

Exhibitions That Make Connections

We're committed to ensuring our exhibitions are transformative, engaging, and educational. From bringing contemporary voices into N. C. Wyeth: New Perspectives to highlighting art history in Nan Goldin, we want anybody to find something in every show.

Strengthening Existing Narratives

New artworks past Lois Dodd, Andrew Wyeth, David Driskell, Winslow Homer, and John Marin underscore the museum'southward commitment to calculation landmark works past artists already in the PMA collection.

The purchase of 142 Complimentary Street and a changing city.

Julie Butcher Pezzino of the Children's Museum & Theatre of Maine and PMA Manager Mark Bessire as the PMA airtight on the purchase of 142 Free Street.

In October 2019, the PMA took its latest big step: the purchase of 142 Gratis Street, a 19,158 square foot building directly adjacent to the museum'due south Charles Shipman Payson edifice. The purchase provides the museum with flexibility for future opportunities in a developing city, and enables the PMA to secure the expanse around Congress Foursquare equally a eye for arts and civilisation.

142 Free Street
Facts & Figures

Built in 1830 & purchased in 2019

Originally synthetic equally a theatre, and has been dwelling to a Baptist church building, the Portland Sleeping accommodation of Commerce, and the Children'due south Museum & Theatre of Maine.

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Source: https://www.portlandmuseum.org/about

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